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SENTENTIA. European Journal of Humanities and Social Sciences
Правильная ссылка на статью:

Petrov V. O. Performance Art: Genesis and Evolution

Ключевые слова:

synthesis of arts, postmodernism, synthesizing, performance, performance art, art history, genre, theatricality, ritual, music

Keywords:

synthesis of arts, postmodernism, synthesizing, performance, performance art, art history, genre, theatricality, ritual, music


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Библиография
1. Goldberg R. Performance Art: From Futurism to the Present. — M.: Ad Marginem Press, 2014. 320 p.
2. Dubinets, Y. A. Signs of Sounds. About Modern Musical Notation. — Kiev: Gamayun, 1999. 314 p.
3. Nazaikinskiy, Y. V. Spatial Music // Theory of Modern Composition: Textbook / Ex. Ed. V. S. Tsenova. — M.: Music, 2007. P. 450–464.
4. Papenina, A. N. Musical Avant-Garde of the Middle XX Century and Issues of Art Perception. — SPb.: Publishing House SPbGUP, 2008. 152 p.
5. Petrov, V. O. Instrumental Theater: Movement Features of Performers // Current Problems of Higher Music Education: Analytical and Educational Scientific Journal. —2011. — No. 2 (18). P. 40–45
6. Petrov, V. O. Musical Happening: Phenomenon Aesthetics // Philosophy and Art: Materials of the II International Conference / Ex. Editor T. P. Zaborskikh. — M.: Gnessin Russian Academy of Music, 2013. P. 28–35.
7. Petrov, V.O Pioneering Art Images in the Twentieth Century: From the Perspective of Epatage // Culture and Art. —2013. — No. 5. P. 562–569.
8. Petrov, V. O. About Eventful Plots in the Instrumental Theater Works // Musicology. —2011. — No. 12. P. 9–14
9. Petrov, V. O. Under the Sign of Performance // Academy of Music. —2012. — No. 2. P. 123–127.
10. Petrov, V. O. Happening in the Art of the Twentieth Century // Bulletin of the N. A. Nekrasov Kostroma State University. — 2010. — No. 1. Vol. 16: Main Issue. P. 212–215.
11. Petrov, V. O. Epatage in the Art of the Twentieth Century // Culture and Art. —2013. — No. 6. P. 623–632.
12. Sigida, S. Y. Musical Culture of Europe. The Second Half of the Twentieth Century. Great Britain // The History of Foreign Music. XX Century: Textbook / Ex. Ed. N. A. Gavrilova. — M.: Music, 2005. P. 217–233.
13. Teryokhin, A. V. Social and Philosophical Aspect in the M. M. Bakhtin’s Concept of the Folk Humor Culture // Art of the Twentieth Century: Paradoxes of the Culture of Laughter: Col. Works. — Nizhny Novgorod, 2001. P. 240–246.
14. Carlson M. Performance: A Critical Introduction. London and New York: Routledge, 1996. 288 r.
15. Carr C. On Edge: Performance at the End of the Twentieth Century. — Wesleyan University Press, 1993. 333 r
References
1. Goldberg R. Performance Art: From Futurism to the Present. — M.: Ad Marginem Press, 2014. 320 p.
2. Dubinets, Y. A. Signs of Sounds. About Modern Musical Notation. — Kiev: Gamayun, 1999. 314 p.
3. Nazaikinskiy, Y. V. Spatial Music // Theory of Modern Composition: Textbook / Ex. Ed. V. S. Tsenova. — M.: Music, 2007. P. 450–464.
4. Papenina, A. N. Musical Avant-Garde of the Middle XX Century and Issues of Art Perception. — SPb.: Publishing House SPbGUP, 2008. 152 p.
5. Petrov, V. O. Instrumental Theater: Movement Features of Performers // Current Problems of Higher Music Education: Analytical and Educational Scientific Journal. —2011. — No. 2 (18). P. 40–45
6. Petrov, V. O. Musical Happening: Phenomenon Aesthetics // Philosophy and Art: Materials of the II International Conference / Ex. Editor T. P. Zaborskikh. — M.: Gnessin Russian Academy of Music, 2013. P. 28–35.
7. Petrov, V.O Pioneering Art Images in the Twentieth Century: From the Perspective of Epatage // Culture and Art. —2013. — No. 5. P. 562–569.
8. Petrov, V. O. About Eventful Plots in the Instrumental Theater Works // Musicology. —2011. — No. 12. P. 9–14
9. Petrov, V. O. Under the Sign of Performance // Academy of Music. —2012. — No. 2. P. 123–127.
10. Petrov, V. O. Happening in the Art of the Twentieth Century // Bulletin of the N. A. Nekrasov Kostroma State University. — 2010. — No. 1. Vol. 16: Main Issue. P. 212–215.
11. Petrov, V. O. Epatage in the Art of the Twentieth Century // Culture and Art. —2013. — No. 6. P. 623–632.
12. Sigida, S. Y. Musical Culture of Europe. The Second Half of the Twentieth Century. Great Britain // The History of Foreign Music. XX Century: Textbook / Ex. Ed. N. A. Gavrilova. — M.: Music, 2005. P. 217–233.
13. Teryokhin, A. V. Social and Philosophical Aspect in the M. M. Bakhtin’s Concept of the Folk Humor Culture // Art of the Twentieth Century: Paradoxes of the Culture of Laughter: Col. Works. — Nizhny Novgorod, 2001. P. 240–246.
14. Carlson M. Performance: A Critical Introduction. London and New York: Routledge, 1996. 288 r.
15. Carr C. On Edge: Performance at the End of the Twentieth Century. — Wesleyan University Press, 1993. 333 r
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